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"This is the first writing guide I've read in a long time that resonated
with me. Klinkenborg is all about
sentences. Don't you dare ignore the faintest clunk. Don't you dare move
on without knowing exactly what that sentence means. Make every
sentence stand up for itself and justify its existence. Let the unspoken
between sentences speak for itself. This book is written in what I can
best describe as free verse. There are no solid paragraphs, instead
sentences whose line breaks come at Klinkenborg's discretion. The result
is a fluid reading experience that demonstrates what Klinkenborg preaches. I now keep this book on my kitchen table with
three different bookmarks stuck inside to reference various passages as I
This book is unlike any writing guide I’ve read, and the first in a long time that has proven useful. (Why is a writing guide summer reading? Because I read it during the summer, when it was hot out.) Klinkenborg is all about sentences. Don’t you dare ignore the faintest clunk. Don’t you dare move on without knowing exactly what that sentence not only means but actually says. Make every sentence stand up for itself and justify its existence. This book is written in what I can best describe as free verse. There are no solid paragraphs, instead sentences whose line breaks come at Klinkenborg’s discretion. The result is a fluid reading experience that demonstrates what Klinkenborg preaches. (Oh, also, I should mention that I discovered this book at the fabulous Word Brooklyn on a hot day in early June right before I sat down at a bar to trade Caldwell-esque stories with one of my best friends. Summertime reading! BAM!)— From Julie's Picks
An indispensable and distinctive book that will help anyone who wants to write, write better, or have a clearer understanding of what it means for them to be writing, from widely admired writer and teacher Verlyn Klinkenborg.
Klinkenborg believes that most of our received wisdom about how writing works is not only wrong but an obstacle to our ability to write. In Several Short Sentences About Writing, he sets out to help us unlearn that wisdom about genius, about creativity, about writer's block, topic sentences, and outline and understand that writing is just as much about thinking, noticing, and learning what it means to be involved in the act of writing. There is no gospel, no orthodoxy, no dogma in this book. Instead it is a gathering of starting points in a journey toward lively, lucid, satisfying self-expression.
Praise for Verlyn Klinkenborg's Several Short Sentences About Writing:
“No other book, old or new, is as well reasoned as this, as entertaining or as wise. . . . Best book on writing. Ever. . . . To paraphrase Voltaire’s statement concerning the Almighty, ‘if Verlyn Klinkenborg did not exist, it would be necessary to invent him.’ Because having read Several Short Sentences About Writing, I do not think that it would be possible to not have this book on hand. . . . Indeed, no other book is as filled with as much grounded, practical advice for putting words to the paper or electronic page or gives better, more helpful exercises.”
—New York Journal of Books
“Powerful . . . each sentence miraculously contains an idea or insight that lesser writers would have milked for several pages.”
“An exceptionally interesting and useful book about writing.”
“A fresh perspective on writing that goes against conventional classroom theory.”
“Klinkenborg does away with much of the traditional wisdom on writing and dissects the sentence—its structure, its intention, its semantic craftsmanship—to deliver a new, useful, and direct guide to the art of storytelling.”
“Expertise and zeal are required for an established writer to offer genuinely useful guidance to aspiring writers. It also helps if the writer teaches writing, as Klinkenborg has for many years. . . . The result is a unique anatomy of the sentence and the writing mind and a clarifying and invigorating ‘book of first steps.’”
"This is a very interesting little book about writing. Modest. Learned. Good-natured. Direct and sympathetic to its readers. You don't even have to read it front to back (probably you couldn't, anyway). You can just open it anywhere—as I did—and take away something useful."
“There have been good books on grammar and style, some classics, but none to compare to this one for understanding where sentences come from in the first place, where their vitality is found, and what distinguishes their energy, their authenticity, and their prospects for life after birth—that is, the art of revision. This book's long future will be a testament to its author's principles.”