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"An exquisite narrative told by a master storyteller, Smith is at the top of his game in this story about art and the people who live and work with it. In the 17th century, a woman paints a beautiful landscape that helps her exorcise her emotional torment. In the 1950's, a lowly art restorer is hired to copy the painting for a mysterious benefactor. After the turn of the century, the art restorer has become a curator at a prestigious museum in Sydney - an exhibition of De Vos paintings is coming and her forgery is at the forefront. What carries this story so well is the great depth that Smith manages to get with the characters. Each character, though spread across time, is a vivid portrait with many layers for the reader to appreciate. The best novel Smith has put out so far. As a longtime fan, I am proud and pleased by the work."— Raul
— From STAFF PICKS
“Smith's new novel unfolds slowly, and each moment of illumination offers a glimpse into the true heart of this quiet, captivating tale. Spanning more than three centuries, it is the story of three lives --a female master painter of the Dutch Golden Age, a moneyed New York patent attorney, and an art history student turned one-time art forger -- each changed by one haunting painting. Filled with hurt, grief, and deceit, but also layered with love, grace, and regret, The Last Painting of Sara de Vos is a wonderful read, beautifully written.”
— Heather Duncan (M), Tattered Cover Book Store, Denver, CO
Written in prose so clear that we absorb its images as if by mind meld, The Last Painting is gorgeous storytelling: wry, playful, and utterly alive, with an almost tactile awareness of the emotional contours of the human heart. Vividly detailed, acutely sensitive to stratifications of gender and class, it's fiction that keeps you up at night first because you re barreling through the book, then because you ve slowed your pace to a crawl, savoring the suspense. Boston Globe
A New York Times Bestseller
A New York Times Book Review Editor's Choice
A RARE SEVENTEENTH-CENTURY PAINTING LINKS THREE LIVES, ON THREE CONTINENTS, OVER THREE CENTURIES IN THE LAST PAINTING OF SARA DE VOS, AN EXHILARATING NEW NOVEL FROM DOMINIC SMITH.
Amsterdam, 1631: Sara de Vos becomes the first woman to be admitted as a master painter to the city's Guild of St. Luke. Though women do not paint landscapes (they are generally restricted to indoor subjects), a wintry outdoor scene haunts Sara: She cannot shake the image of a young girl from a nearby village, standing alone beside a silver birch at dusk, staring out at a group of skaters on the frozen river below. Defying the expectations of her time, she decides to paint it.
New York City, 1957: The only known surviving work of Sara de Vos, At the Edge of a Wood, hangs in the bedroom of a wealthy Manhattan lawyer, Marty de Groot, a descendant of the original owner. It is a beautiful but comfortless landscape. The lawyer's marriage is prominent but comfortless, too. When a struggling art history grad student, Ellie Shipley, agrees to forge the painting for a dubious art dealer, she finds herself entangled with its owner in ways no one could predict.
Sydney, 2000: Now a celebrated art historian and curator, Ellie Shipley is mounting an exhibition in her field of specialization: female painters of the Dutch Golden Age. When it becomes apparent that both the original At the Edge of a Wood and her forgery are en route to her museum, the life she has carefully constructed threatens to unravel entirely and irrevocably.