“In the chaos of West and Central Africa, Johnson has found a setting to match his fevered, conspiratorial, and hilarious imagination. Crackling with wild energy and bizarre happenings, The Laughing Monsters tells the story of two desperate and insane souls -- an American spy and an African combat expert and 'man of opportunity' -- who are each trying to pull off bizarre and dangerous schemes without revealing their true motives to each other or even to themselves. Taut, poetic, startling, and filled with incredible specifics about African politics and culture, this is quintessential Denis Johnson madness.”
— Rico Lange, Bookshop Santa Cruz, Santa Cruz, CA
A post-9/11 literary spy thriller from the National Book Award-winning author of Tree of Smoke
Adriko is an African who styles himself a soldier of fortune and who claims to have served, at various times, the Ghanaian army, the Kuwaiti Emiri Guard, and the American Green Berets. He's probably broke now, but he remains, at thirty-six, as stirred by his own doubtful schemes as he was a decade ago.
Although Nair believes some kind of money-making plan lies at the back of it all, Adriko's stated reason for inviting his friend to Freetown is for Nair to meet Adriko's fiancée, a college girl named Davidia from Colorado. Together the three set out to visit Adriko's clan in the Uganda-Congo borderland-but each of these travelers is keeping secrets from the others. Their journey through a land abandoned by the future leads Adriko, Nair, and Davidia to meet themselves not in a new light, but rather in a new darkness.
A high-suspense tale of kaleidoscoping loyalties in the post-9/11 world, Denis Johnson's The Laughing Monsters shows one of our great novelists at the top of his game.
“A stunner . . . Johnson's sentences are always brilliant, but it is in the interstices, the gray areas of the story, that he really excels.” —Los Angeles Times
“A thriller of spies and black marketeers that's hard to put down for all the right reasons.” —New York Magazine
“America's most incandescent novelist.” —John Lingan, Slate
“The single catastrophe is what fuels that demands and mysteries of literature. The wreckage is what essential writers particularize, and Denis Johnson's interests have always beenin wreckage, both individual and universal. If Train Dreams (a Pulitizer finalist) dealt with the dignified tragedy of a past American antonym, The Laughing Monsters addresses the vanishing present, a giddy trickle-down of global exploitation and hubris--the farcical exploits of cold dudes in a hard land.” —Joy Williams, The New York Times Book Review
“It would be hard to find a better American writer, at the level of the sentence, than Johnson.” —Gina Frangello, Boston Globe
“Easy to love line by line--Denis Johnson's prose, as always, is incandescent . . . [a] hermetic, exhilirating, visionary nightmare of a book.” —Justin Taylor, Bookforum
“National Book Award winner Denis Johnson has brilliantly plumbed the mystical and the macabre in such works as Tree of Smoke and his instant classic Jesus' Son. The Laughing Monsters delivers a more commercial, post-9/11 tale of intrigue, deception, romance, and misadventure set in West Africa without losing Johnson's essentially poetic drive . . . With each twist, Johnson deftly ups the stakes while adding to the cavalcade of entrepreneurs, assassins, seers, and smugglers that populate the book, tuning us in to the roiling political realities and cultural complexities of Africa today . . .” —Lisa Shea, Elle
“An adventure without any expected twists. Mr. Johnson is adept at keeping the pace of the story up without sacrificing either suspense or satisfaction . . . The mystery is worth trying to solve.” —Mona Moraru, The Pittsburgh Post-Gazette
“And for his next trick, Johnson delivers a taut, Conrad-by-way-of-Chandler tale about a spy who gets too close to the man he's shadowing in Africa . . . As in any good double-agent story, Johnson obscures whose side Roland is really on, and Roland himself hardly knows the answer either: Befogged by frustrations and bureaucracy, his lust for Davidia and simple greed, he slips deeper into violence and disconnection. Johnson expertly maintains the heart-of-darkness mood . . . his antihero's story is an intriguing metaphor for [post-9/11 lawlessness].” —Kirkus