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A haunting crime story about the broken characters inhabiting yesterday's Brooklyn, this is the new novel from modern master of neo-noir William Boyle.
An explosive crime drama, Shoot the Moonlight Out evokes a mystical Brooklyn where the sidewalks are cracked, where Virgin Mary statues tilt in fenced front yards, and where smudges of moonlight reflect in puddles even on the blackest nights.
Southern Brooklyn, July 1996. Fire hydrants are open and spraying water on the sizzling blacktop. Punk kids have to make their own fun. Bobby Santovasco and his pal Zeke like to throw rocks at cars getting off the Belt Parkway. They think it’s dumb and harmless until it’s too late to think otherwise. Then there’s Jack Cornacchia, a widower who lives with his high school age daughter Amelia and reads meters for Con Ed but also has a secret life as a vigilante, righting neighborhood wrongs through acts of violence. A simple mission to strong-arm a Bay Ridge con man, Max Berry, leads him to cross paths with a tragedy that hits close to home.
Fast forward five years: June 2001. The summer before New York City and the world changed for good. Charlie French is a low-level gangster-wannabe trying to make a name for himself. When he stumbles onto a bowling alley locker stuffed with a bag full of cash, he brings it to his only pal, Max Berry, for safekeeping while he cleans up the mess surrounding it. Bobby Santovasco—with no real future mapped out and the big sin of his past shining brightly in his rearview mirror—has taken a job working as an errand boy for Max Berry. On a recruiting run for Max’s Ponzi scheme, Bobby meets Francesca Clarke, born in the neighborhood but an outsider nonetheless. They hit it off. Bobby gets the idea to knock off Max’s safe so he and Francesca can escape Brooklyn forever. Little does he know what Charlie French has stashed there.
Meanwhile, Bobby’s former stepsister, Lily Murphy, is back home in the neighborhood after college, teaching a writing class in the basement of St. Mary's church. She's also being stalked by her college boyfriend. One of her students is Jack Cornacchia. When she opens up to him about her stalker, Jack decides to take matters into his own hands.
A riveting portrait of lives crashing together at the turn of the century, Shoot the Moonlight Out is tragic and tender and funny and strange. A sense of loss is palpable—what has been lost and what will be lost—and Boyle’s characters face down old ghosts with grim determination, as ripples of consequence radiate in dangerous directions.
About the Author
William Boyle is from Brooklyn, New York. His novels include: Gravesend, which was nominated for the Grand Prix de Littérature Policière in France; The Lonely Witness, which was nominated for the Hammett Prize and the Grand Prix de Littérature Policière; A Friend Is a Gift You Give Yourself, an Amazon Best Book of the Year; and, most recently, City of Margins, a Washington Post Best Thriller and Mystery Book of 2020. He lives in Oxford, Mississippi.
Praise for William Boyle:
"As wildly funny and sweet as it is frenetic and harrowing, William Boyle’s new novelis full of dark splendor. Imagine Martin Scorsese and David O. Russell collaborating with Gena Rowlands and Ellen Burstyn and making magic.” — Megan Abbott, New York Times bestselling author of You Will Know Me
“Boyle studies his neighbors with a mixture of affection and despair worthy of a Bruce Springsteen song. He has a real thing for working-class folks. People like this, they need people like Boyle.” — Marilyn Stasio, The New York Times Book Review
“The grandly talented Boyle is still in the Brooklyn neighborhood where he grew up. He knows the music of the Italian American voices, from punk to bar stool to operatic, like nobody else: Mob goons, college dropouts, melancholy widows and pink-haired rockers mix it up in this deliciously convoluted tale that reads like a fresh new season of The Sopranos.” — The Washington Post
"Outstanding. Battered by loss and unrealized dreams, Boyle’s characters are vividly drawn and painfully real. Fans of literary crime novelists such as George Pelecanos and Richard Price will be highly rewarded.” — Publishers Weekly (starred)
“Boyle’s latest is another slice of gritty urban noir. The author’s exquisitely drawn characters soon uncover secrets and make connections with each other that echo those of a Greek tragedy, with similar results. Boyle comfortably stands next to literary crime favorites like Don Winslow, Richard Price, and Lou Berney.” — Library Journal (starred))
“A precious gem of a crime novel. Boyle is in top form, delivering a work that had me thinking about Dennis Lehane’s Mystic River and, thanks to Boyle’s dark, knowing humor, the work of New Yorkers like Pete Hamill and Jimmy Breslin.” — Mystery Scene
“A marvelously nuanced study of light and dark. The arts bridge generations, start conversations and, in Boyle's masterful hands, provide softening, wide-angle lenses to the broken and tortured souls of the margins.” — Shelf Awareness
“Another fine novel from William Boyle in the tradition of John Sayles and John Fante.” — Criminal Element
"A Jacobean revenge tangle in a Brooklyn where all the players have survived the same nuns. Even the most desperately lost of William Boyle's characters retain a hungry heart.” — John Sayles, director of Matewan and Lone Star
"A funny, gritty, touching narrative about the strength of three New York women caught in a world of abusive men, broken families, and mob violence. Crime fiction usually stays within the confines of the genre, but Boyle breaks away from those restrictions.” — NPR
"A brilliant and nasty piece of joyful ambiguity that I Ioved deeply. What a marvelous and unexpected bunch of female characters, in particular. With this one, William Boyle vaults into the big time, or he damn sure should.” — Joe R. Lansdale, author of the Hap & Leonard series