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A critical study of Stanley Kubrick's career, beginning with his earliest feature, "Fear and Desire" (1953), and ending with his posthumous production of "A.I., Artificial Intelligence" (2001). This book argues that in several respects Kubrick was one of the cinema's last modernists.
About the Author
JAMES NAREMORE is Emeritus Chancellors' Professor of Communication and Culture and English, Indiana University. Previous publications include: More than Night: Film Noir in Its Contexts Previous publications include More than Night: Film Noir in Its Contexts.